University of Miami: Miami Magazine » College of Arts and Sciences http://miami.univmiami.net Miami Magazine Wed, 18 Jul 2018 21:34:48 +0000 en-US hourly 1 https://wordpress.org/?v=4.0.26 Magic City Immersion http://miami.univmiami.net/magic-city-immersion/ http://miami.univmiami.net/magic-city-immersion/#comments Thu, 18 Dec 2014 19:52:14 +0000 http://miami.univmiami.net/?p=9986 On Course Magic City Immersion Not long after their bus gets stalled behind the monthly cross-city bicycle caravan known as Critical Mass Miami, J. Miguel Kanai’s Urban Studies class finds sweet respite. At the corner of 15th Avenue and the famous Calle Ocho, they duck into Azucar. The neon-lit ice cream parlor in the festive […]

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On Course

Magic City Immersion

Photo by Robin Shear

    Photo by Robin Shear

Not long after their bus gets stalled behind the monthly cross-city bicycle caravan known as Critical Mass Miami, J. Miguel Kanai’s Urban Studies class finds sweet respite. At the corner of 15th Avenue and the famous Calle Ocho, they duck into Azucar.

The neon-lit ice cream parlor in the festive heart of Little Havana reflects the tastes of a neighborhood known for its Cuban culture: the flavors go beyond chocolate and vanilla, aiming to please palates attuned to the tropics—flavors such as mamey, coconut flan, café con leche.

This shop is a scheduled stop on the class field trip to the Viernes Culturales (Cultural Fridays) event, one of two outings built into Metropolitan Miami (URB 201). About 40 UM students roam around Calle Ocho, passing Domino Park and watching a troupe of flamenco dancers draw a crowd.

Some of the students are Miami natives but have never been to this part of town. Others hail from different parts of the world, strangers to the multicultural metropolis surrounding their university.

“It is important for them to have an experience of the city, to have their own insights,” says Kanai, assistant professor of geography and regional studies. “It’s a chance for them to know the city beyond The Shops at Sunset Place, Dadeland Mall, and the Grove.”

The class also explores downtown Miami from a development perspective. Weekly lectures offer views of the city through the lenses of history, global aspirations, culture, race and ethnicity, transportation, and more, even addressing the area’s starring roles in film and TV.

Back at Azucar, one of Kanai’s students, Alejandro Lamas, orders a flavor called mantecado, a Cuban version of vanilla that’s supposed to taste kind of like eggnog. But for Lamas, who moved to the U.S. six years ago from Cuba, the frozen dessert tastes a lot like home.

—Robin Shear

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Rwenzori Rising http://miami.univmiami.net/rwenzori-rising/ http://miami.univmiami.net/rwenzori-rising/#comments Tue, 02 Sep 2014 23:39:51 +0000 http://miami.univmiami.net/?p=9579 Is global warming melting one of Africa’s best-kept secrets? Biologist Nate Dappen calls attention to the ‘Snows of the Nile’ in a new documentary.

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rwenzori_rising
Is global warming melting one of
Africa’s best-kept secrets?
Biologist Nate Dappen calls attention
to the ‘Snows of the Nile’ in
a new documentary.

RRising_title

BY Tim Collie
PHOTOS BY Nate Dappen, ph.d. ’12, and Neil Losin

From top left, In April 1906 the Duke of Abruzzi, an Italian mountaineer, embarked on the first successful summit of the famous tropical glaciers of Rwenzori. Vittorio Sella’s photographs of the expedition created a sensation. In 2013, Nate Dappen, Ph.D. ’12, and Neil Losin re-created many of Sella’s shots, including this one of Mount Baker, to document a century of environmental change.

rwenzori_rising1


Nate Dappen, Ph.D. ’12, grew up among explorers.

His father was an “adventure doc”—a young physician who signed on as the medic on mountain-climbing expeditions around the world. An uncle was an outdoor journalist who would carry the family along on remote hiking, rafting, and rock-climbing assignments. And Nate Dappen’s mother, according to family lore, is one of the few women to ever canoe the entire Northwest Passage.

So when this University of Miami graduate decided to climb one of the world’s most remote mountain ranges to make a documentary about climate change, he was treading a well-worn family path. His father, in fact, had climbed these same mountains when the family lived in Kenya during Nate’s childhood.

The result of the younger Dappen’s 12-day expedition with filmmaking partner Neil Losin is Snows of the Nile, a 20-minute documentary that details their January 2013 odyssey to bring back a visual record of how global warming is thawing out one of the world’s least understood regions: the glacial Rwenzori mountains of equatorial Africa.

Snows is the work of a start-up filmmaking venture that has so far produced projects for the World Wildlife Fund, the National Science Foundation, and other organizations. “We really wanted to tell a climate change story that hadn’t been told before,” explains Dappen, who arrived in Miami in 2007 to begin a Ph.D. program in evolutionary biology. “We came up with this idea of visiting these tropical glaciers and using the historic photos taken of them a century ago to show the change due to global warming.”

Yes, there are glaciers in Africa. Known as the “Mountains of the Moon” or the “African Alps,” the Rwenzoris sit on the border between Uganda and the Democratic Republic of the Congo. Soaring to more than 16,000 feet at their highest point, the perpetually fog-shrouded mountains comprise a remarkable number of microclimates that extend from pristine rain forests and massive bogs to alpine wetlands, lakes, and streams that form the headwaters of the Nile.

1906 explorers can be seen standing on ice dozens of feet thicker than the ice seen in a 2013 re-creation featuring Losin, right, and two guides. black and white images ©Fondazione Sella, Italy, courtesy DecaneasArchive.com

1906 explorers can be seen standing on ice dozens of feet thicker than the ice seen in a 2013 re-creation featuring Losin, right, and two guides. Black and white images ©Fondazione Sella, Italy, courtesy DecaneasArchive.com

“It’s an extremely unknown place,” says Dappen. “As a biologist, being in that place was just incredible, a privilege. If you kill a mosquito that’s biting you there, it’s probably a mosquito that’s never been studied before. It’s one of the only places in the world where black leopards exist. It’s one of the few places in the world that has the one-horned unicorn chameleon and three-horned chameleon.”

Dappen and Losin formed their company, Day’s Edge Productions, after meeting in Costa Rica in 2008 on a graduate biology field course. Both were avid still photographers who quickly realized they shared a passion for filmmaking and storytelling. Though each had planned to pursue traditional academic careers, they were growing increasingly enamored with the idea of using their scientific backgrounds to make documentary films.

“Neither of us had made films before, but a few years after meeting we made our first short science film,” says Losin, who has a Ph.D. in biology from UCLA. “They weren’t good at first. But we’re both very competitive. Any time Nate did something, I wanted to do it better. Any time I did something, he wanted to do it better. And that helped us improve our craft.”

After a number of smaller efforts won awards, the pair began scoring contracts with organizations like the World Wildlife Fund to make films ranging from “trip documentaries to research profiles to hard-core research films,” notes Dappen.

Losin initially had the idea of shooting tropical glaciers to document climate change. Funding proved difficult until he and Dappen submitted their idea for the Rwenzori film to the “Stay Thirsty Grant” contest sponsored by the beer company Dos Equis. Much to their surprise, their project won the inaugural $25,000 Stay Thirsty Grant, presented by “The Most Interesting Man in the World,” the company’s popular pitchman.

From left, disappearing glaciers are part of a bigger story. Dappen and Losin saw how climate change affects the lives and livelihood of the Bakonjo tribe, many of whom serve as expert climbing guides and porters. They pose proudly, far right, to help re-create Sella’s 1906 photograph of their forebears.

From left, disappearing glaciers are part of a bigger story. Dappen and Losin saw how climate change affects the lives and livelihood of the Bakonjo tribe, many of whom serve as expert climbing guides and porters. They pose proudly, far right, to help re-create Sella’s 1906 photograph of their forebears.

In 2013 Dappen and Losin embarked on a tightly scheduled 12-day expedition to the remote African mountain range. It was Greek astronomer and geographer Ptolemy who first wrote about the Rwenzoris, theorizing how their snows were the source of the Nile. It wasn’t until the 19th century, though, that the range was explored. First described by Sir Henry Morton Stanley (of Stanley and Livingstone fame) in 1889, they were later photographed for the first time in 1906, during an expedition led by the Duke of Abruzzi, an Italian prince who was a mountaineer and explorer, and the photographer Vittorio Sella.

That journey, with its detailed logs and stunning photographic archive of the then-massive Rwenzori glaciers, would form the basis of Dappen and Losin’s narrative. The two wanted to retrace the duke’s trek, and photograph the range from the exact perspectives and angles of the glaciers Sella had captured more than a century ago.

Once on site, their strategy proved particularly difficult to enact, but not in the way they expected. After several days, they saw that the perspectives from which Sella had shot no longer existed. The glaciers and snowpack had melted so much in the intervening century that Dappen and Losin were now standing on rock hundreds of feet below where Sella had stood to make his shots and looking at peaks with much smaller snowcaps.

Dappen, left, and Losin continue pushing the limits of scientific exploration while inspiring others to care about our planet.

Dappen, left, and Losin continue pushing the limits of scientific exploration while inspiring others to care about our planet.

“It’s unbelievable how much ice has melted off there,” Dappen says. “The places where we were standing would literally have been under hundreds of feet of ice in 1906. Standing 300 or 400 feet lower, you’re just not going to recapture the same perspective ever again.”

Combining scientific context like this with original storytelling is what Dappen and Losin hope will set them apart in this new generation of documentary filmmaking. Like all filmmakers, they are contending with both the promise and demands of working in different platforms: the Web, TV, even interactive apps. Snows of the Nile, called “beautiful yet troubling” by National Geographic, has screened at numerous film festivals and can be seen online at www.snowsofthenile.com.

For Islands of Creation, their latest movie, which was funded by a National Science Foundation grant, Dappen and Losin turned to a familiar subject, J. Albert C. Uy, associate professor of biology in UM’s College of Arts and Sciences. Uy, a speciation expert who holds the Pat and Jeff Aresty Chair in Tropical Ecology, looks at how new species emerge in isolated environments like the Solomon Islands. Both men served as postdoctoral researchers in his lab. Uy granted the pair access to film his work because he felt that, as science Ph.D.s, they’d bring understanding and discipline to telling the story of his research.

“From the moment they approached me it was easy to agree because we were on the same page. You knew these were guys who would prioritize the science over the entertainment value,” says Uy. “They know exactly what it is to be a field biologist, so they weren’t going to be a hindrance. I was confident that it would be a positive collaboration.”

For his part, Dappen says one of his main goals is simply to make sure every film is better than the last. “I’m not so naïve that I think you can make a single film about a topic like climate change and change a lot of minds,” Dappen says. “But if you tell a good story, have good visuals, show people something they haven’t seen before, then I think you can start to make a difference.”

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Helping Students Overcome Language Barriers http://miami.univmiami.net/helping-students-overcome-language-barriers/ http://miami.univmiami.net/helping-students-overcome-language-barriers/#comments Mon, 01 Sep 2014 20:25:53 +0000 http://miami.univmiami.net/?p=9187 Citizen ’Cane Helping Students Overcome Language Barriers The daughter of a Saudi Arabian diplomat, Taghreed Al-Saraj, B.F.A. ’99, M.S.Ed. ’01, has lived in the United States, Europe, and the Middle East. Now at the University of California, Berkeley, where she is the school’s first Saudi female postdoctoral research fellow, Al-Saraj specializes in foreign language anxiety—the fear […]

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Citizen ’Cane

Helping Students Overcome Language Barriers

Miami_Summer2014-p35aThe daughter of a Saudi Arabian diplomat, Taghreed Al-Saraj, B.F.A. ’99, M.S.Ed. ’01, has lived in the United States, Europe, and the Middle East. Now at the University of California, Berkeley, where she is the school’s first Saudi female postdoctoral research fellow, Al-Saraj specializes in foreign language anxiety—the fear many experience when learning a new tongue.

Al-Saraj, who is fluent in English and Arabic, became fascinated with the phenomenon after returning to Saudi Arabia to teach university students in intensive English courses. Many students there enroll in “English medium universities”—popular institutions where all the coursework is in English. But Al-Saraj noticed her smartest pupils were often paralyzed by trying to learn or speak English.

“It shouldn’t be that way, feeling such fear when you’re trying something new and fun like learning a new language,” she says. “What I’ve found from my research is that the teacher is the main source of the anxiety. So we have to train the teachers, work with them in developing new teaching styles.”

That involves different approaches to having students speak in front of the classroom or in engaging the teacher directly. To put her theories to the test, Al-Saraj is learning Turkish while taking detailed notes about her own emotional state.
Al-Saraj grew up in Washington, D.C., but also lived in France as a teen and attended high school in Saudi Arabia. She enrolled at the University of Miami as a newlywed, joining her husband, Fouad A. Kaaki, M.S.M.E. ’00.

The diplomat’s daughter has since become quite the ambassador for the University. Al-Saraj serves as a director on the UM Alumni Association Board of Directors and is now leading the charge to gather alumni in Saudi Arabia. She also has two brothers-in-law who are ’Canes, and her twin sons, Kenan and Rayan, were recently accepted to the U as freshmen.

“To this day I give lectures around the U.S., as well as internationally, and every university I go to I’m always comparing it to UM,” says Al-Saraj. “I’m the person I am today because of that UM education. The classes that I took, the freedoms to explore that I had, and the professors were all fantastic.”

Her only regret from her time in Miami? She never learned Spanish. “I could have been fluent!” she chuckles.

—Tim Collie

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Scores of Scores, Singers, and Showtunes http://miami.univmiami.net/scores-scores-singers-showtunes/ http://miami.univmiami.net/scores-scores-singers-showtunes/#comments Mon, 26 May 2014 18:54:49 +0000 http://miami.univmiami.net/?p=8001 75th anniversary gala honors shining star of Broadway Composer and lyricist Jerry Herman, A.B. ’53, D.F.A. ’80, whose Tony- and Grammy-winning productions (Mame, La Cage aux Folles, Hello, Dolly!) have helped shape musical theater in America, was the guest of honor at a March event to mark 75 years of excellence in theater arts. A […]

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75th anniversary gala honors shining star of Broadway
Miami_Spring2014-p34a

Jerry Herman, A.B. ’53, D.F.A. ’80, shares UM memories at a gala in his honor. Photo by Sagette Van Embden, B.F.A. ’12

Composer and lyricist Jerry Herman, A.B. ’53, D.F.A. ’80, whose Tony- and Grammy-winning productions (Mame, La Cage aux Folles, Hello, Dolly!) have helped shape musical theater in America, was the guest of honor at a March event to mark 75 years of excellence in theater arts.

A standing-room-only crowd joined the Kennedy Center honoree in his namesake Jerry Herman Ring Theatre on the Coral Gables campus as entertainers Klea Blackhurst, Jason Graae, and Valerie Perri shared the stage with UM Theatre Arts and Conservatory students, as well as the Miami Gay Men’s Chorus. James Followell served as guest music director/accompanist. Henry Fonte, director of the College of Arts and Sciences Conservatory Programs and producing artistic director for the Ring, produced the tribute, which featured reprisals of classic songs from Herman’s musicals, including a rendition of “Hello, Jerry!”—adapted from the tune “Hello, Dolly!”

Calling his career a tribute to both his creativity and humanity, President Donna E. Shalala said Herman “left a trail of stardust” at UM. “Your melodies are unforgettable, your words inspiring,” she added. “In your tunes, love is eternal and the heart an open book.”

Donna A. Arbide, M.B.A. ’95, associate vice president of alumni relations and individual giving, presented a Distinguished Alumni Award to Herman, who was visibly moved by the outpouring of admiration in the room.

One of only two people to have written three musicals with more than 1,500 performances each on Broadway, Herman made his first stage appearance as a UM student playing Og the Leprechaun in Finian’s Rainbow. “It’s been a thrilling life,” he said. “And it all really started in the drama department at the University of Miami.” Graae, a collaborator of Herman’s for more than three decades, sang “I Am What I Am” from La Cage aux Folles. “He’s been the greatest gift of my life and career,” Graae said of Herman. “I hold on to him for dear life.

—Melissa Peerless

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CARD Comes of Age http://miami.univmiami.net/card-comes-age/ http://miami.univmiami.net/card-comes-age/#comments Tue, 20 May 2014 17:31:20 +0000 http://miami.univmiami.net/?p=8088 A look at the UM center’s growing impact and life-changing approaches to helping families throughout South Florida affected by autism. Comes of Age BY ROBERT C. JONES JR. PHOTOS BY DONNA VICTOR First came the prolonged staring. Two-year-old Sebastian would train his gaze on the ceiling fan in his bedroom for what seemed like hours. […]

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card
A look at the UM center’s growing impact
and life-changing approaches to helping families
throughout South Florida affected by autism.

body_tuneUp

Comes of Age

BY ROBERT C. JONES JR.
PHOTOS BY DONNA VICTOR


First came the prolonged staring. Two-year-old Sebastian would train his gaze on the ceiling fan in his bedroom for what seemed like hours. Then, there was the peculiar way he would play with his toys—arranging them in rows. Ruby Diaz-Martinez knew something was unusual about her youngest son’s behavior, but she didn’t know where to turn for help. Eventually, her family doctor arranged for Sebastian to be evaluated by a psychologist, and Diaz-Martinez got the answer she sought.

card_letter_Lynette Estrada caught on that something was wrong with her son, Lucas, when he was about 1. “He was always in the normal range, but late-normal,” she says. Doctors dismissed the behavior, telling Estrada her son would grow out of it. But when Lucas stopped speaking, she asked psychologists to evaluate him.

Since being diagnosed with autism as toddlers, Sebastian, now 8, and Lucas, 17, have come to find a common source of help for the disorder at the University of Miami-Nova Southeastern University Center for Autism and Related Disabilities (CARD). For the past two decades, CARD has served as a vital support network for children and adults with autism and their families, offering programs that help with everything from social skills development to workforce preparation. “We’re a lifeline to thousands,” says Michael Alessandri, a UM clinical professor of psychology and executive director of CARD, one of seven Florida Department of Education-funded university-based centers of its kind in the state.

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Lucas, 17, shows off his piano-playing technique to mom Lynette Estrada at their Homestead, Florida, residence. Estrada got help for Lucas at an early age.

The center’s client base, which spans Monroe, Miami-Dade, and Broward counties, has mushroomed since its beginning—from 88 families in 1993 to nearly 8,000 today. It serves a critical need. Autism spectrum disorders—characterized by social deficits and communication difficulties, repetitive
behaviors and interests, and, in some cases, cognitive delays—affect an estimated 1 in 68 children in the United States, according to the Centers for Disease Control and Prevention.

Even when she’s at work, Estrada is reminded of the odds of having autism. She helps adults with the condition find employment and develop other skills as a CARD transition specialist. “We do not call them children, but many people do, and that’s a huge problem,” she says of the clients she helps. “Their personalities or the way they speak may be like a child, but they are adults. And we’re trying to train parents to remember that they are adults. They need responsibilities. They need to do chores. They need to go out.”

It is a regimen she maintains with Lucas, who is enrolled in the Culinary Arts High School Program at Easter Seals South Florida and enjoys playing the piano. “He communicates. He comes to CARD, he has chores he has to complete, he has homework,” Estrada explains. “But like I tell parents, it’s not going to just happen. You have to be on top of them when they’re little. It’s draining, a lot of work.”

Lucas’s autism is just part of the story. He has battled brain cancer since he was 8, compounding the challenges he and his mother face. Estrada runs marathons and competes in triathlons to cope. “I get the parents. I know their stress,” she says. “Some parents will come in, arms folded, and they’re angry, and they tell me, ‘No, you don’t understand.’ And that’s when I tell them, ‘Yes, I do.’ I tell them about Lucas, and then they relax.”

Expanding Employment Options

espite a straight-A college transcript with assoccard_letter_Diate degrees in physics, electrical engineering technology, and mechanical maintenance, Susan Johnson has struggled to hold onto a job, often experiencing interpersonal difficulties with coworkers. But she never really grasped why until 2008, when a friend suggested she exhibited all the classic signs of Asperger’s syndrome, a developmental disorder considered on the milder end of the autism spectrum. Four years later an evaluation by a psychologist confirmed Johnson had the condition. “All my life I’ve had it but didn’t know,” says Johnson, 52.

An employment training session hosted by CARD during the summer of 2013 taught her and other moderate- to high-functioning adults with autism different skills that could eventually help them land—and hold onto—jobs. Writing an effective résumé was at the top of that list. When Johnson signed up for the boot camp, her résumé was more than ten pages. By the time the camp ended, it had been whittled down to two.

card_johnson

Adult client Susan Johnson took part last summer in CARD’s Project EAARN Employment Boot Camp, learning to write effective resumes and gain skills that could help her get hired.

People older than 16 comprise 38 percent of CARD’s client registry. That percentage is growing, making it the largest segment of the center’s registry. Finding jobs for this transition group can be a challenge. “Employment opportunities are very limited generally right now, but they have historically been even more limited for those with disabilities, particularly those with autism,” says Alessandri. “Extensive job training is required—skill development, interview skills, grooming—but also job coaching may be needed regularly, sometimes daily.”

That is the primary reason CARD developed Project EAARN (Employment for Adults with Autism Resource Network), an initiative aimed at boosting the job skills of its clients and connecting them with employers willing to hire individuals with autism spectrum disorders. The one-week Project EAARN Employment Boot Camp that Johnson and 17 other adults attended last summer taught them skills that will make them more attractive to potential employers.

Four of the 18 adults obtained employment as a result of the camp, says Deborah Chin, manager of social services in CARD’s Transition and Adult Services division. One of the architects of Project EAARN, whose funding is provided by the Dan Marino Foundation, the Sam Berman Charitable Foundation, Inc., and Bupa Latin America, Chin says people with autism have a lower employment rate than individuals with other disabilities. “But we believe that by being a hub of information and resources for our constituents and addressing the issue from multiple angles, we can increase employment opportunities for individuals with ASD,” she says.

CARD also educates local businesses about the benefits of employing people with autism. In November 2013 it partnered with the nonprofit organization Autism Speaks to host a town hall meeting at UM’s Newman Alumni Center, where companies like Rising Tide Car Wash, Lee & Marie’s Cakery, Extraordinary Ventures, and [words] Bookstore shared their experiences with hiring people with autism.

“It’s important that they get out of the house and stay busy,” says Estrada. “Otherwise, most of them would sit at home in front of the TV or computer for seven to ten hours a day, if not longer. They need to have responsibilities.”

Summer of Learning for CARD’s Young Clients

card_letter_At a summer camp for high-functioning 6 to 9 year olds with autism, today’s lesson is about compromise and flexibility, characteristics children with autism have difficulty demonstrating. Standing before a classroom of 6 year olds at Beth David Congregation—the camp’s home for the past two years—the instructor tells the children to draw a picture of themselves being adaptable. “What about being able to accept changes? Why is that a good thing?” she asks. Each child then sets about the task, using crayons to create images that illustrate how each can adapt to change. One little boy draws himself sharing his toys. Another depicts himself playing with a red car, even though he wanted to play with a blue one. With each drawing she reviews, the instructor nods her head reassuringly.

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At CARD headquarters, executive director Michael Alessandri and transition specialist Lynette Estrada review case files. The center’s registry has grown to nearly 8,000 from three South Florida counties.

Earlier in the day, the group of 12 youngsters had run agility drills around cones as part of the fitness and motor-development component. Their day would be rounded out with other lessons—a social skills module on tattling and telling the truth and a science block concentrating on ocean life. On this particular Tuesday in July, they are studying squids.

During the regular academic year, most of these summer camp children, 36 in all, attend mainstream education classes in the Miami-Dade County public school system. “But they struggle more in that environment than they do here,” says Jennifer Durocher, a clinical assistant professor at UM who runs the camp and serves as CARD’s interim clinical director. “All of the autism supports that we infuse into our camp—adhering to schedules, social skills lessons, using lots of visual aids—aren’t always used in regular classrooms.”

Funded by The Children’s Trust, the camp, says Durocher, is more than a means of building social skills in children with autism. “It’s very hard for kids in the autism spectrum to make friends in other environments,” she explains. “They have different interests and social skill deficits. Other kids may not always be as accepting. Here, they have kids with whom they have a lot in common and share similar interests. Oftentimes this is one of the few environments where they get to forge strong friendships.”

Durocher says the camp is her “baby.” She helped create it seven years ago as a pilot project based at CARD’s UM office in the Flipse Building, starting out with ten kids “causing a ruckus,” she recalls with a laugh. She saw a critical need for the seven-week session after many parents complained they couldn’t find a suitable summer activity for their children. “We see a significant improvement in kids after the camp,” says Durocher. “They become more flexible and better prepared for the school year, more socially motivated and better prepared to deal with problems.”

Apps Help Kids Communicate

card_letter_D_2iagnosed with Asperger’s syndrome at 3 ½ years old, Eric Daniel always had trouble communicating with others, seldom initiating conversations unless prompted. Then, in late 2013, Eric, now 10, picked up an iPad, using a specific app to write stories. Since then, his communication skills have soared. “He’s now starting conversations on his own,” says Eric’s mother, Anna Ramirez. “Sometimes we still have to nudge him, but it’s gotten better.” During the week, Eric is seldom away from his iPad, using it for his fifth-grade homework assignments and to log FaceTime with relatives. Eric’s iPad, and 43 others given to kids like him, are central to a CARD initiative called Project S.O.C.I.A.L., which uses technology to expand social and communication skills in 2 to 13 year olds who fall in the autism spectrum.

card_durocher

Sebastian has made tremendous progress since enrolling in CARD—improvement that can be attributed to efforts of psychologists like interim clinical director Jennifer Durocher, who runs a summer camp for children with autism.

A $40,000 anonymous gift helped supply each family with the iPad and a $50 iTunes card for purchasing apps geared toward developing social skills.

“The possibilities for communication and social learning with the iPad are as limitless for autistic people as they are for the general population,” says Robin Parker, senior director of CARD’s Nova Southeastern University site. “But the technology for those with autism doesn’t just make things better; it makes things possible.”

Summer camps, job training, and iPads are just the tip of CARD’s extensive services. There’s also an annual surfing camp, the mobile autism assessment van, and educational outreach events. Last year, CARD’s 20th anniversary, signaled positive growth. More than 700 new families came to the center for help, its annual fundraising gala raised more than $400,000 (the most in its history), and executive director Alessandri was invited to introduce noted animal behaviorist and autism advocate Temple Grandin before an audience of more than 5,000 at UM’s BankUnited Center.

But like most state-funded programs, the center faces daunting challenges: “funding limitations, for one,” says Alessandri, “and reaching more clients, particularly those who are traditionally underserved and the growing adult segment of our client registry.”

Donations and grants help ensure CARD’s survival, which Alessandri considers crucial. “We typically are Florida’s first choice for autism support,” he says.

Ruby Diaz-Martinez agrees. She says the benefits for Sebastian have been immense. “He’s been seeing a therapist recommended by CARD, and he’s doing better,” she says. “He’s made huge leaps in mathematics; he’s adding and subtracting now. He says he wants to work for Apple as a Genius.”

CARD’s 12th annual Tropical Nights gala took place May 10 at the InterContinental Miami. More than 500 guests helped raise more than $350,000 for CARD. Click here to watch a video shown at the event, which highlights five culturally diverse families who have moved to South Florida (some from as far away as Lebanon and Russia) to receive CARD services for their children with austism spectrum disorders.  

For more information, visit umcard.org.

Autism by the Numbers

  •  About 1 in 68 children (or 14.7 per 1,000 8-year-olds) are identified with an autism
    spectrum disorder (ASD).
  •  Boys are 4.5 times as likely as girls to be identified with ASD—about 1 in 42 boys vs. 1
    in 189 girls.
  •  About 1 in 63 white children, 1 in 81 black children, and 1 in 93 Hispanic children are
    identified with ASD.
  •  46 percent of children identified with ASD have average or above average intellectual
    ability (IQ greater than 85).

Source: Centers for Disease Control and Prevention’s Autism and Developmental Disabilities Monitoring Network. Estimates based on information collected from the health and special education records of 8-year-old children living in areas of Alabama, Arizona, Arkansas, Colorado, Georgia, Maryland, Missouri, New Jersey, North Carolina, Utah, and Wisconsin in 2010.

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Solomon Islands Field Course Adventure http://miami.univmiami.net/solomon-islands-field-course-adventure/ http://miami.univmiami.net/solomon-islands-field-course-adventure/#comments Tue, 04 Feb 2014 22:26:46 +0000 http://miami.univmiami.net/?p=6534 On Course Solomon Islands Field Course Adventure Jeffrey Aresty, B.S. ’77, and Patricia (Pickton) Aresty, B.S. ’76, met as University of Miami biology students on a research trip in Ecuador. That course set in motion a life of adventure together—from summiting Kilimanjaro to diving the Seychelles. To honor their passion for the natural world, ignited […]

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On Course

Solomon Islands Field Course Adventure

Course-Solomon-Uy-tropical-bird

Professor Uy’s students study butterflies. Courtesy J. Albert C. Uy

Jeffrey Aresty, B.S. ’77, and Patricia (Pickton) Aresty, B.S. ’76, met as University of Miami biology students on a research trip in Ecuador. That course set in motion a life of adventure together—from summiting Kilimanjaro to diving the Seychelles. To honor their passion for the natural world, ignited by their alma mater, the couple endowed the Aresty Chair in Tropical Ecology at the College of Arts and Sciences. Its first recipient, J. Albert C. Uy, associate professor of biology since 2011, is helping their generous gift take wing. Uy investigates the biological origins of island flycatchers and other tropical bird populations. He teaches about island ecology, evolution, and conservation in the classroom and lab, as well as on location in the Solomon Islands, east of Papa New Guinea. This past May he took five UM students on a three-week field course to the remote Pacific region where malaria is prevalent and the packing list includes Immodium, antibiotics, and “Gold Bond to prevent foot rot….” Traveling on a skiff named Miami, Uy’s well-prepared students had unparalleled opportunities to conduct research and experiments, and engage in community outreach. “The tropics harbor the greatest diversity on the planet. However, we still know little about the mechanisms that create and maintain this striking diversity,” explains Uy, who receives support from the National Geographic Society. The goal, he says, is to uncover underlying factors driving population changes and “to understand how these changes result in the formation of new species.” Not ready to take his class? You can still get a bird’s eye view of Uy’s Solomon Islands studies thanks to a forthcoming documentary funded by the National Science Foundation.

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Artistic Evolution http://miami.univmiami.net/artistic-evolution/ http://miami.univmiami.net/artistic-evolution/#comments Sat, 06 Apr 2013 23:40:13 +0000 http://miami.univmiami.net/?p=3251 Throughout his career, award-winning painter Darby Bannard has been making original contributions to the field of art—both on canvas and in the classroom. By Brett Sokol Photo by Richard Patterson Jump to video I’M VERY LUCKY TO BE HERE,” SAYS DARBY BANNARD, professor of painting, while sitting in his acrylic-splattered campus studio.  When he joined […]

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darby_bannard

artistic_Evolution_hed

Throughout his career, award-winning painter Darby Bannard has been making original contributions to the field of art—both on canvas and in the classroom.

By Brett Sokol
Photo by Richard Patterson

quote

I’M VERY LUCKY TO BE HERE,” SAYS DARBY BANNARD, professor of painting, while sitting in his acrylic-splattered campus studio. square When he joined the University of Miami faculty in 1989 to become chair of the art department, after three decades of slugging it out in what he wryly calls “the real world” of art dealers and collectors, academia mystified him. square But it wasn’t his colleagues or students who left him wide-eyed—it was the University’s payroll office. “It was remarkable to me that they would send you a check without ever being asked. And the checks never bounced!” Bannard chuckles. “In the art business, you spend a lot of time on the phone listening to people’s excuses. You sell a painting and then two and a half years later you get paid for it.” square Yet to hear some gallery owners tell it, Bannard, now 78, has often seemed on a mission to sabotage his own career. He’s been featured on the cover of Artforum magazine, received a Guggenheim Fellowship, among other national awards, and exhibited his work everywhere from the Los Angeles County Museum of Art to Manhattan’s Whitney—all while continually violating the cardinal rule of the marketplace: When you find a style that sells, stick with it. Instead, Bannard has been intent on blowing up his brand and following his muse wherever it leads.Upon earning a degree in philosophy from Princeton in 1956, where his studio pals included Frank Stella, Bannard burrowed deep into Minimalism. At a time when anything-but-orderly Abstract Expressionism was in its heyday, he fashioned artwork focused on boldly hued circles and squares that married Mark Rothko’s visceral punch with crisply defined geometry.

Then, at the very moment the art world caught up with him, Bannard moved on. He recalls planning for a fall 1964 show with Leo Castelli, New York’s leading contemporary art dealer at the time, who was grabbing headlines with shows from buzz-laden figures such as Jasper Johns and Roy Lichtenstein. “I thought I was all set,” Bannard quips.

When Castelli arrived at Bannard’s studio to pick up his paintings for the show, however, he discovered that the work had evolved into a more graphically complex and tonally varied style—the opposite of what Castelli had been pitching to clients, and what would eventually become known as Color Field painting.

“Leo took one look at them and turned green,” Bannard laughs. His big coming-out party on the New York scene? Cancelled by a fuming Castelli and immortalized only by some magazine ads that had already gone to press.

Most of those early works that first attracted Castelli wouldn’t see the public light for another four decades. Their unveiling in a 2007 gallery exhibition led New York Times art critic Roberta Smith to conclude that Bannard, long considered one of Color Field’s key architects, “started out playing for the other team: the Minimalists. In fact, he might have helped get the team started.”

That proved to be only the first of Bannard’s turns. By the early ’70s, his commercially successful Color Field aesthetic was mutating anew. Cloudlike wisps were thickening into what one critic called “the consistency of very good taffy.” Brooms and squeegees replaced fine brushes; ethereal was out, viscous was in; and Bannard’s gallerists were left to gnash their teeth over the artist’s unpredictable output.

What has remained constant through the years, besides a willingness to experiment, is an emphasis on technique over theory—an approach Bannard’s students treasure.

“He addresses the work very formally. ‘What exactly are you trying to do here? Let’s talk about your edges—they don’t seem right,’” explains Jacqueline Gopie, B.F.A. ’05, M.F.A. ’12, whose work can be seen at the Bakehouse Art Complex in Wynwood, the Miami neighborhood where UM also has an off-campus gallery.

Gopie recalls the pointed questions Bannard posed about her canvases during Friday morning “crits,” the group critique sessions her classmates initially dreaded—and eventually cherished. “He breaks it down in a visual sense, not conceptually.”

In contrast, in a graduate art class she’d taken at another South Florida school, “they wanted to know what the painting was about, what you were feeling. No one there talked about the paint,” Gopie says. “They talked about everything but the paint—which is the most important thing!”

David Marsh, M.F.A. ’10, seconds that belief. Before attending UM, says Marsh, who now exhibits at Wynwood’s Dorsch Gallery, “I was just throwing paint around.” He felt his paintings were too disjointed, and no amount of theory was going to fix that. So he came to UM specifically to study with Bannard. “I had the rest of my life as an artist to work on philosophy,” he notes.

Still, Bannard’s anti-philosophical take on painting is a philosophy in itself—as discovered by Franklin Einspruch, M.F.A. ’94, a Boston-based painter and the creator of a website dedicated to Bannard’s pithy classroom provisos.

Einspruch, now an art instructor in his own right, particularly remembers one of Bannard’s visits to his UM studio. “He said, ‘You’re like Jonas Salk. You have penicillin growing in a petri dish in the sink’—he pointed to a passage in one of my canvases—‘while you work on some other experiment that isn’t amounting to anything.’

“Over time I learned that when it comes to art, what you see is more important than what you think, and you cling to your ideas at the peril of missing out on vital discoveries.”

Bannard blushes when some of his students’ praise is repeated to him. All he tries to do, he insists, is nudge them in positive directions: “The talent is all theirs.”

Darby Bannard: Recent Paintings was on view at the Lowe Art Museum from April 14 to June 3, 2012.

Darby Bannard’s Tips for Aspiring Artists

—From Bannard’s preview lecture, “So, You Want to Be an Artist…,” delivered at the opening of his exhibition at the Lowe Art Museum last spring

Ivory Rising, 1959-60

Ivory Rising, 1959-60

Green Valentine #2, 1964

Green Valentine #2, 1964

Plains Lizzie, 1982

Plains Lizzie, 1982

Ledonia, 1992

Ledonia, 1992

Butterfly Island, 2002

Butterfly Island, 2002

Firewalker, 2011

Firewalker, 2011


icon_video

Darby Bannard’s

Art World at the
University of Miami

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Early Human Sexuality Educator http://miami.univmiami.net/early-human-sexuality-educator/ http://miami.univmiami.net/early-human-sexuality-educator/#comments Fri, 05 Apr 2013 18:42:10 +0000 http://miami.univmiami.net/?p=3094 Early Human Sexuality Educator Psychotherapist Libby (Arkin) Tanner, A.B. ’48, a family medicine educator and sex therapist who trained at the famous Kinsey Institute and helped establish the nation’s first family medicine department at the University of Miami medical school in the 1960s, died of cancer on August 2, 2012 in Miami Beach. She was […]

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Early Human Sexuality Educator

Libby (Arkin) Tanner, A.B. ’48Psychotherapist Libby (Arkin) Tanner, A.B. ’48, a family medicine educator and sex therapist who trained at the famous Kinsey Institute and helped establish the nation’s first family medicine department at the University of Miami medical school in the 1960s, died of cancer on August 2, 2012 in Miami Beach. She was 85. Tanner was on faculty from 1968 to 1989. She led the undergraduate medical education department for six years, developing ahead-of-their-time courses such as Human Sexuality and Medical Interviewing.

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Studying Creepy Crawlers to Save Lives http://miami.univmiami.net/studying-creepy-crawlers-to-save-lives/ http://miami.univmiami.net/studying-creepy-crawlers-to-save-lives/#comments Mon, 01 Apr 2013 18:49:57 +0000 http://miami.univmiami.net/?p=2510 Citizen ’Cane Studying Creepy Crawlers to Save Lives Insects will always be one spindly-legged step ahead of us, says Adriana Troyo Rodríguez, Ph.D. ’07, who’s been a fanatic follower of arthropods for as long as she can recall. As a bug-obsessed child, she collected beetles, spiders, grasshoppers—whatever she could get her hands on in her […]

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Citizen ’Cane

Studying Creepy Crawlers to Save Lives

adriana_troyo_rodriguezInsects will always be one spindly-legged step ahead of us, says Adriana Troyo Rodríguez, Ph.D. ’07, who’s been a fanatic follower of arthropods for as long as she can recall.

As a bug-obsessed child, she collected beetles, spiders, grasshoppers—whatever she could get her hands on in her native Costa Rica. “I even learned I had to give caterpillars the same plant they were feeding on when I collected them or they would not eat,” says Troyo Rodríguez, an associate professor of microbiology at the Universidad de Costa Rica in San Jose.

In 2010, at age 33, she was the first woman to be named Most Distinguished Scientist of the Year by Costa Rica’s Ministry of Science and Technology. The prize recognizes her achievements in researching Chagas disease, dengue fever, and other insect-borne tropical diseases.

After training with professors John C. Beier and Douglas O. Fuller in the College of Arts and Sciences’ interdisciplinary Ph.D. program, Troyo Rodríguez was involved in one of the world’s first efforts to study dengue epidemiology and Aedes aegypti ecology using high-resolution satellite imagery—a method that’s helping to predict outbreak times and locations.

“My latest scientific research is oriented toward understanding the epidemiology of rickettsial diseases such as typhus or spotted fevers, many of which are emerging tick-or flea-borne infections that can be fatal,” she says.

In addition to teaching, publishing research, and training health officials, Troyo Rodríguez’s days still revolve around collecting bugs. She travels door to door with her research team, taking blood, flea, and tick samples from dogs and other domestic pets. Her team also treks through forests to catch ectoparasites found on wild rodents and opossums.

“We begin the day with our rubber boots on at 7 a.m. and finish when the sun goes down, looking like we rolled in the mud with the animals—which we probably did,” she says.

The work is hard, sometimes dangerous, and ultimately lifesaving. “One of the most fulfilling aspects of my job,” says Troyo Rodríguez, “is knowing I can make a difference in my own country on topics where scientific research is very limited, but where we have much to give.”

Robin Shear

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